Paul Klecki. A Portrait of the Artist in a Historical Perspective

CONTENT OF THE BOOK

• Introduction

• LIFE

• Maciej Janik
  Paul Klecki and His Family in the Light of Archival Documents
• Danuta Gwizdalanka
  The Vicissitudes of Paul Klecki’s Career in Europe and Worldwide
• Jolanta Szulakowska
  Paul Klecki – An Antiquarian of Old Manifestos. The Artist’s Aesthetic Stance and Background in the Context of Polish and German Music at the Turn of the Century

• CAREER

• Cédric Güggi
  Paul Klecki – „Ein Dirigent von außergewöhnlichem Format“
• Łukasz Borowicz
  An Analysis of the Conductor Paul Klecki’s Music Interpretations
• Miłosz Bazelak
  To Salvage What Is No Longer There: On Paul Klecki’s Romantic Understanding of Music on the Example of His Interpretation of Ein Deutsches Requiem by Johannes Brahms

• THE OEUVRE

• Ryszard Daniel Golianek
  The Idea and Style of Paul Klecki’s Symphonies
• Timothy L. Jackson
  The Music of a ‘Forbidden’ Jewish Composer: Paul Klecki’s Capriccio (1933)
• Marek Nahajowski
  Paul Klecki’s Concertos in the Context of the Genre’s Traditions
• Marta Szoka
  Towards an Analysis of Paul Klecki’s Style of Composition. Orchestral Variations Opp. 20 and 33
• Ewa Kowalska-Zając
  Paul Klecki’s String Quartets in the Context of European Music from the First Half of the Twentieth Century
• Adam Manijak
  Introduction and Rondo for Violin and Piano, Op. 21 as an Example of Paul Klecki’s Chamber Work with Piano 321
• Małgorzata Grajter
  Paul Klecki’s Songs for Voice and Piano: Word-and-Music Relations
• Catalogue of Paul Klecki’s Works
• Bibliography of Primary and Secondary Sources
• Concerning Paul Klecki
• Index
• Authors’ Biographical Notes

edited by Ewa Kowalska-Zając, Marta Szoka, Ryszard Daniel Golianek